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Ten for TN movie poster
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Cult Movies International Film Festival - Best Screenwriting

Win:
Cult Movies International Film Festival
Best Short Screenwriting
Cult Movies International Film - Festival Best Screenwriting

Win:
Cult Movies International Film Festival
Best Short Screenwriting
Florence Film Awards - Gold Award: Short Script

Win:
Florence Film Awards
Gold Award: Short Script

Written by lifelong actor and creative writer Geoffrey Gould (that would be me...), Ten for TN is a short comedy horror script, about an adult son visiting his mother back in Tennessee, finding his childhood room is not only converted into a craft room, but is also now occupied by ten somewhat creepy dolls, that after dark may be not as inanimate as one would expect... or hope...
Eric Bartlett and I share similar tastes in humour and certainly films. We text each other what flms we've seen and recommend ones we like or warn away from those we've each found disappointing.
While he was visiting his mother in Tennessee in early 2024, he conveyed that she had begun collecting vintage dolls. They were Just Creepy Enough that he tossed a towel over them. Characteristically, I couldn't help but make quips about their most likely being haunted and to watch out for his feet at night...
He quipped back until, after a few such back and forths, he openly wondered if we were organically creating another of my short film scripts.
I figured Why Not? and I wrote up the story within an afternoon and sent him the link to its .pdf file. He read it to his mother who also enjoyed it, as well as her being relieved the story didn't get too scary.

I began submitting it to festivals, and as with my other scripts, it quickly began to win awards, first the Florence Film Awards, then the Cult Movies International Film Festival.

Update/s:
07 August 2024
The screenplay for the short film Ten for TN was publicly table-read at We Make Movies, meeting with much . As an unproduced script, it was also winning at various film festivals.
Michael Beardsley had had me write the script for the 2024 Easterseals Disability Film Challenge entry. As we had a Koreatown dental office for a location, and our Bucky star Victoria Ippolito acquring the office at which she's normally its receptionist, an office kangaroo plushie with human teeth, I wrote Friends With Dental Benefits, which Michael directed, as well as playing the dentist. Sadly the short was not selected by the competition.
It is unclear whether this is the reason the group leader Dawn, the wheelchair bound in the short film, unceremoniously booted Michael from the group.
Either way, Michael wasn't having it. Along with Shift Orion, Michael offered to produce one of my many scripts into a short. We selected Ten for TN as it was one of the easiest to shoot. We used Orion's place as the location, while he still lived there.
I acquired the dolls, mostly from the weekly street fair on Vermont, south of Santa Monica Boulevard.
We offered the role of Eric's mother to We Make Movies member Christine DiTillio, which she accepted, along with her husband Robert, who came on boad as a Production Assistant. Michael Muncatchy, was our director of photography,sadly moving toe the east coast after wrapping, so I cannot utilize his talents for future projects.
Originally to be shot in one day, there was a few glitches as Michael was editing that it was clear we had to do some pick up shots, so the intiial shoot date was 14 May, 2025, and the pick-up shots 14 June 2025.
A rough cut was screened at the 22 October 2025 We Make movies meeting. We got some good feedback, and as our originally music composer had dropped the ball big time, Orion found Guthrie Lowe, whose scrote was/is brilliant.
During the shoot we had a few easter eggs. Michael wears a hat, and a blue shirt, which were requirements for that years's Easterseasl competition. We put up a calendar with a seal as its photo, and highlighted Easter.
When the mother turns on her bedroom light, the shot is barely two or three seconds. On the end table (that is not in the subsequent shots of her in the bed), is a photo of my first cat Bast, considering she mentions her cat, along with a small framed photo of Michael. Also on the end table is an actual trophy award from Shockfest Film Festival, from which the unproduced screenplay had won.
Orion eventually referenced our collaboration be called Petty As a Picture, for which I created a li'l Petty As a Picture logo. Michael didn't tag it onto the filmn, but I did for my version, which is the version seen by film festivals. Even with the static photo, the film is a few seconds shy of ten minutes in length.
I saved the finished film, on my computer as well as here on my site, until its run through enough film festivals for me to add it to my YouTube channel.


08 April 2025
Pre-production
Michael Beardsley had for a few years previously been working with a group, making short films for the Easterseals Disability Film Challenge.
For 2024 he contacted me to write the script for their entry for the then current competition season. The parameters needed to include a store front, pretzels, and a "dynamic duo." We had a location, a dentist office at which Victoria Ippolito worked,the entrance to which we figured fudged enough to be considered a 'store front."
Michael directed the short: Friends With Dental Benefits, which turned out pretty well. Mike had sent me a photo of this plushie Kangaroo with night-fuel human teeth. I knew I had to include that, and for the short, I voiced the creature.

The film did not move forward in the competition, and the group decided to "go in a different direction" for 2025. With Michael outed and no longer involved, and his wanting to make a film, he inquired as to our making my Ten for TN script into its own short film.
Michael had a $500 voucher his and Zack Van Eyck's featire film The Hitchhiker Effect had won in a film festival. Zack gave the award voucher to Michael to make what he wanted.
For Ten for TN Michael would produce, I would direct, fellow We Make Movies member Shift Orion would be associate producer (and possibly sound), our director of photography would be Michael Muncatchy.
Michael would play Eric, and Christine DiTillio would play his mother. At one point during pre-production I was joking with Shift that the two character piece would seem to preclude my having a role, then I realized there's an audible offscreen gasp, which with great amusement I claimed.
One thing needed, or rather, ten things needed, were the dolls.
I went to a local swap meet and managed to acquire five dolls that fit the bill. One of the friends with whom I stay pointed out that her sister-in-law had a few dolls that could fit the critera. I was told where they probably could be found, and I did find them, completing the team of ten.

The dolls were brought up to the location (Shift's then current domicile), where we figured out where in the minimally furnished house we'd be shooting what.

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