Convention report: 21st GallifreyOne

March 3rd, 2010

This past weekend (26-28 February 2010), a fortnight “late,” was the annual Doctor Who convention GallifreyOne at the LAX Marriott. The convention’s primary guests Peter Davison and Sarah Sutton each were unable to make it: Sarah’s father had gone into hospital in Really Bad Shape (in a Possibly This Was It sort of thing), while Davison had the professor role in the musical Legally Blonde, what with the Marriott having screwed up the convention dates. Initially this annual convention is always held Presidents Day weekend, but the hotel double-booked, and it was set for the following weekend when the Marriott screwed up again, having the event wait to the last weekend of February instead of the second, and by then Peter Davison was stuck and unable to attend the convention. His lovely and talented daughter Georgia Moffett (who played the title role [of Jenny] in the episode The Doctor’s Daughter), was able to make it, and for on-stage introductions, the ongoing irony of her being “the Doctor’s daughter in more ways than one” was never passed up.
It was Georgia’s first American convention, and she was gobsmacked over it, enjoying it tremendously, and stressing how much her father wanted to attend. This was also reflected in a pair of “apology videos” that had been provided, the first from writer Steven Moffat who (regarding the new [eleventh] Doctor), stressed that by next year everyone was going to be in love with Matt Smith, “even the straight men,” he added.
Peter Davison’s apology video was a bit more creative (and mostly hilarious), as he “took us” via his dressing room and montage of the musical, using his self-deprecating humour to pretend no one waited to meet him after the performance, that audience members couldn’t remember his character from the show, and that to feel a sense of worth, instead of going to his own house, that he “often” breaks into David Tennant’s home.
While the date change/s and the absence of specific guests was not earth-shattering (on hand they did have the versatile and always wildly entertaining Katy Manning, the slyly funny Frazer Hines, Deborah Watling, vocal artist Nicholas Briggs, Tommy Knight, Andrew Hayden-Smith, series costume designer Louise Page, classic and current era/s director Graeme Harper as well as Doctor’s Daughter director Alice Troughton, John Levene (Sgt. Benton), and Buffy alumnus and book author Amber Benson, as well as numerous other guests).
Generally once or twice over the convention weekend they would hold a [free] Photo Opp, in which attendees would pose with the mains guests clustered about… This year, along with the foresightful concept of obtaining a queue number for the autograph session/s (I don’t really collect autographs anymore as much as I collect photos of myself with celebrities I’ve met and/or with whom I’ve worked), they also chose to schedule the Free Photo Opp only on Friday, and at 1pm…
WTF…?
So the convention was willfully punishing those with fully paid memberships who still went to work on Friday and arrived later that day/evening if not Saturday? Based on results this was the only explanation. As it was, the only other “option” being a paid Photo Opp, in which one could choose Which Guest with whom to be photographed… for twenty dollars for each guest…! (It was implied the quickly provided hardcopy photo might be able to be signed later during the convention, but obviously they would not guarantee same; plus most of the celebrity guests were charging for autographs.) I save up for this convention, but again none of the vendors had Weeping Angel “in”action figures, so I figured what th’heck, I’d just get a shot of me with Georgia Moffett. I got my ticket for her time slot, and to get a .jpg emailed to me as well as the for-$20 hardcopy, I was upsold to an additional $10 (otherwise I’d have had to scan it myself which might not have come out as well). So a single thirty dollar photo [set] was my big splurge at the convention. The photo came out pretty well and I added it online for easy viewing.
Friday afternoon when I arrived, with Sarah Sutton unavailable, they filled her scheduled on-stage interview with live Doctor’s Daughter commentary with Georgia Moffett and its director Alice Troughton. This was followed by Katy Manning’s being interviewed by the erudite and amusing Gary Russell. Afterwards I went to the Con Suite for some munchies and a soda (as it the near equivalent of Craft Services), only to find it “closed” as they had some sort of “Ice Cream Social event” being prepared, so with my having to catch transit back to Sherman Oaks, I could retrieve nothing on which to munch whilst awaiting the buses.
I was able to attend most of the panel on the paranormal, facilitated by Nor Cal Paranormal Investigations. They’re based up in Sacramento, and afterwards I provided them with the link to my Paranormal Experiences page and the link to para-x, so they could network with other groups. Ironically I am plan to attend a Queen Mary-based paranormal event at the end of April, and one debunker audience member poo-poo’d the concept of investigations at any place “already pre-considered” to be haunted, and she specified the (very haunted) Queen Mary, her “logic” being that pre-believing a place to be haunted therefore said place “cannot” be haunted (e.g., I doubt the non-investigator dink ever stepped foot on board: I know paranormal investigators who have come across ghostly evidence…).
On Sunday also was the on-stage session for the latest Podshock podcast, recorded live with the audience for later playback and/or direct download; essentially they interviewed the main guests for the ninety minutes’ish session, broken into three thirty minute blocks, hosted by Ken Deep Louis Trapani and James Naughton.
I could not stay for the closing ceremonies late Sunday as I had a rehearsal for a USC student film and it would take me about an hour and a half to get there from the convention. All in all the convention was okay… certainly not the best GallifreyOne, but this one stressed my needs that next year perhaps finally I should get a room at the convention hotel. Each year GallifreyOne has more attendees than previous year/s: this year they finally broke the one thousand members mark. Both Peter Davison and Sarah Sutton have respectively confirmed for next year, so hopefully the Marriott won’t eff us up again.

with Georgia Moffett
With Georgia Moffett at 21st GallifreyOne convention

(27 Feb 2010)

More catching up… again…

February 17th, 2010


I know I don’t blog “enough” in here: generally I blog at my MySpace blog, but I figured as This 2010 February has been one of the best months ever, I should make a mention…
On the one hand, I booked some background work on a European commercial which shot on a Saturday and a Sunday, paying twice SAG scale, and for which we also got four plus hours overtime…
A payroll company began practicing the criminal act of conversion (taking money owed to a worker and giving it to a third party without benefit of law, under colour of authority, et al, and claiming it would continue to steal money from me to the tune of over thirty three hundred dollars), and did not pay me for a wardrobe fitting. After receiving from me an explanatory letter (in which I also politely directed them to provide the court order requring them to do so, absent which they become criminally lible, not those demanding money from them that is owed to me). As no such court order exists, the payroll company realized they were in violation of law, and for the actual acting day worked I received that day’s payment, and the false amount was no longer on the check’s “pay stub.” I have chosen to “eat” the about-thirty bucks for the wardrobe fitting, in thanks that the payroll company at least ceased stealing from me and began complying with positive law.
My national 2009 Pedigree Super Bowl spot was voted the third best Super Bowl commercial of the decade
Along with the upcoming payments for the European commercial and the 2010 airing of the Crazy Pets spot usage during the CBS show, I will be able to acquire new glasses with an updated prescription, new headshots, both with which to endevour acquiring a TV/Theatrical agent…

A bit of catching-up [para-x guest appearances]…

June 12th, 2009

I apologize for being so lax in entering mirror-blog entries here, as I continue to blog primarily at MySpace.
I actually composed (then forgot to submit) information regarding my online radio appearance (since then, plural) on Paranormal Insight at Para-X Radio, which was followed by a second appearance, on Stirring the Cauldron hosted by ghost-book author Marla Brooks.
The links to the reports are on my Paranormal Experiences index page.

February 17th, 2009

I have to confess that while originally my plan was to mirror here my MySpace blogs, I’ve been extremely lax doing so (hence, you really should keep up at my MySpace blog/s, and/or subscribe thereto).
Mostly due to airings and such, I have made updates to my various on-set report pages, including but not limited to the Pedigree Super Bowl spot progress and airing/s,
the repeat of my fourth My Name is Earl gig episode, the CSI episode, the Tim Burton Alice in Wonderland feature, the episode of The Office, and the long slow wait and positing whether the final episodes of Eli Stone even air, meaning my episode Tailspin may only be viewable if the second season is released on DVD.
On MySpace I came across a Chayanne fan who ironically wasn’t previously aware I had worked on his music video Yo Teamo: I ended up updating that report as the YouTube video of the spot had been removed and I had to re-find it to embed it on the report page.

dogsrule.com

January 19th, 2009

A friendly reminder for my family, friends (and regular readers/subscribers of my blog)…
Upcoming TV appearance dates:
January 29th:
air-date for CSI episode Disarmed and Dangerous on which I worked, playing a resident of a halfway house; actually if I’m visible in the exterior shots as well, I could sort of seem to be teleporting all over the place. The episode air date could be January 29th, so keep an eye out for the episode title in local listings.
February 1st: during the Superbowl my national commercial Crazy Pets for Pedigree Dog Food is set to debut. Arriving to deliver mail to Mrs. Lawrence, in the spot I play Postal Carrier Jeff Badger [bg], pursued off the property by the household pet Bruno. Included at the end of the commercial, I presume, should be the URL to a tie-in website at which Pedigree is encouraging pet adoption. At that website will be video in which different people from within the spot are interviewed (in character), including but not limited to, yours truly.
(btw, a few online news articles indicate that my segment in the spot most definitely will be included [also mentioned here]…!)
February 3rd: probable air date of the Eli Stone episode Tailspin, in which for two scenes I can be seen as Jim Norris. The episode has been elusive what with pre-emptions, and even this date is just a guess.
February 19th (or 26th): one of these could be the probable air-date for The Office episode Lecture Circuit on which I worked, shot early last November.
The IMDB has indicated the current season for The Office is season five, not four, which had I regularly been a viewer to the series, the season number being wrong would have been more apparent.
While I’ve corrected that on its report page, the series’ IMDB entry has been slow with added episode title numbers with respective episode numbers, and TV listings only go so far into the future.
As of this week they seem to be combining occasional repeats of earlier-this-season episodes, possibly due to the recent turn-around at the White House, from one frying pan into another.
So currently it seems early to mid-February for certain for the Lecture Circuit episode.

On Avail, et al

November 4th, 2008

I ended up not getting the AFI short; completely forgot to ask if David Schroeder got it (though I guess I could just ask Dave [g]…)
I did acquire another USC student film gig to do on Saturday.
I had a commercial callback audition on Friday, then Saturday morning my agent notified me I was On Avail for the shoot-dates, today/Tuesday through Friday of this week. I’m not officially booked yet, but it falls into the 50-50 category.
Yesterday I checked my messages every two hours or so, but heard nothing, which I figured could mean I could hear later by the time I got home. At home in my email my agent told me my On Avail status had been extended through Saturday the 8th, as well as the production company clarifying I’m Still Available. Not a bad sign: still On Avail.
Then last night I get a call from my agent, indicating that the production company now has conveyed that [those booked] would have a same-day wardrobe fitting. Knowing at work I have no cell signal, and it would not only be a distraction for me but unfair for those for whom I work, I have taken off the day, essentially to see if The Big Call comes in later today…
So please please please Think Good Thoughts: cross fingers, light green candles and pray for my Being Booked, whatever you wish t’do; it’ll be appreciated.

A Simple Death

October 26th, 2008

I just auditioned for a student film up at AFI this morning (I’m told I would know by Tuesday); to my surprise afterward I found my friend David Schroeder waiting to audition for the same role…!

“Lower Learning” meets Badger Luck…?

October 14th, 2008

Last November I worked a day on a film called Lower Learning as Featured Background. As my on-set report reflects, based on results, I really should have been upgraded to Day Player for the scene. Not only was I part of a two-shot close-up with a principal, interacting with him but physically interacting with him (“albeit” a hand-shake), the director directed my personally (in actuality a director can only direct principals and other contract role players: featured and general background are directed by Assistant Directors: if the director wants something changed he tells the AD who tells the backgrounder).
But I figured, hey, it’s a tight shot of me with the pleasant and very funny Nat Faxon, so I patiently waited for the film to be released.
There is a concept of Life I’ve deduced, called Badger Luck. Those who are friends and/or good to me, tend to do Really Really Well. Those who do wrong by me or do wrong by my friends… tend to get karmic backlash. Years ago when I was booked to work five days on one film and at the very very end of the first day, about 90% of us were told we weren’t to return, that feature film Went Nowhere, never even got released (and it starred Kim Basinger Forest Whitaker, Tim Roth, Danny DeVito, Ray Liotta, et al). Never got released. Hmm.
Now with Lower Learning, (as of this blog entry’s date and time), its imdb entry still shows no release date. Ironically, at the bottom of its poster it does show October 10, 2008: I’d come across a small poster for it hastily affixed to a few local light poles, that it was only opening at the Laemmle Sunset 5. A producer friend of mine surmised this meant they could only just “four-wall it.” They couldn’t get a wider release.
I went and saw it this past Saturday morning and… well… apart from the fact my scene is omitted completely (being a flashback, not much of a real loss to the storyline: just “explaining” a minor backstory point that technically didn’t need explaining), based on the rest of the film… the flashback might have been considered the funniest scene of the film. The “comedy” is about a loser elementary school with a corrupt principal, in which pretty much all of the faculty have lost all will to teach, to inspire, or in some cases even to live. It’s almost surprising no character commits suicide in this feature, though one does come an instant away from actually doing so.
I think I actually laughed once, and there were two to three actual moments (not sequences), which had me chuckle. Beyond that the film seemed to strive towards depressing the audience as much as were its characters.
btw, apart from myself in the auditorium, there were five or six others who attended the same matinee, and they actually managed to sit through the entire film as well: I did not ask them if they’d worked on it in some capacity.
Now would the film have been a success (or at least watchable), had my scene been included, and/or even more so had they honourably upgraded me to Day Player contract? We’ll never really know. One can only go by what happened to/with the film after I wasn’t upgraded and after the scene on which I worked was cut. As always, results don’t lie.
(Ironically, I still added the title to my NetFlix queue, on the off chance its DVD contains Deleted Scene/s as Bonus Material…)

USC audition class, and new headshot/s needed

October 9th, 2008

This morning I went down to USC for the audition class. As I was heading to my temp day-job from there, I arrived at the 8:50am class around 7:20am.
With an hour and a half with which to wait, I drowsed for about an hour, waking up just before Hilde (with whom I made the appointment, and I now presume may be the teacher’s aide), apologetically had to bring into the classroom the sofa on which I had been sitting. She put out a sign-in sheet, already aware I was first. By the time I was done and headed out there were about five men and one woman waiting.
Hilde took our sets of headshots and resumes and brought them in; I’d taken the liberty of attaching my demo reel DVD disc, as it looks much cleaner than its YouTube variant. The class’s teacher Nina Foch had already thanked those of us already waiting, before heading into the class herself (at the time I did not know who she was, as she never introduced herself, nor did anyone introduce her to us).
Hilde had given us each sides which turned out to be a few pages from different movies. Mine was a scene from Moonstruck, which as it turns out, I’ve never actually seen, which probably is a Very Good Thing, as it had me auditioning a scene as though it had never been done.
I studied my scene while inside the teacher worked with the class. Hilde came out and called me inside.
I’ve done over forty student films, but this was the first time it was more than one to three people: it was about thirty plus, or certainly seemed that way. But at the very front of the multitude was a table next to which was the teacher, and behind which was (I think her name was) Debbie. I said hello and shook her hand, as well as Conner, who would be reading the lines in the scene with me. The scene was straight-forward enough that I barely had to consult the pages, but the reading wasn’t first up.
Debbie started out with a simple question such as how long had I been in Los Angeles, but the teacher cut her off. I said nothing as I knew a process was going on. The teacher did a polite aside, indicate she was teaching [the class] how to audition [actors]. I just waited, intrigued with the process.
The teacher pointed out not to ask direct questions, and demonstrated, saying, “Tell me about going to medieval festivals.” I began to recount the fun involved, my attending in garb and before hand collecting dollar coins with which to pay for things, et al. The teacher gently prodded about what I wear and how I behave at the faire, et al. Debbie made an attempt, “but” began to ask if I climbed rope ladder games at the faire. I presume she meant to ask that. She got as far as “climbing rope–” when the teacher corrected her again, pointing out, and speaking in a robotic voice, “You might as well be asking, ‘Tell me what you can do, hu-man’…”
She stressed [Debbie] doesn’t have to ask What Can You Do?, when by just listening [the actor] will convey everything s/he can do.
So we got to the reading. Connor clearly is not an actor: his read was similar to how Randy’s character on My Name is Earl reads aloud. He wasn’t the worst. I did my best, and the teacher thanked me, as did Debbie, who asked if I could do it one more time. She realized she couldn’t quite communicate what she wanted adjusted. She was trying to request a stronger attitude with the big line towards the end. The director was even more confused that I, asking what motivation did she want me to have? Debbie couldn’t quite articulate what she sought, and the teacher gently kept driving home the point What Motivation was wanted? Debbie expressed wanting my being more assertive. She and the teacher agreed the rest had been spot on.
I did the scene again from the top, ironically being stopped just shy of the big line to which Debbie had referred, but I had shifted the last line I had said, a bit more lovingly. I guess that was the line to which she’d actually referred.
I was thanked but before I left, the teacher pointed out to me I should have my headshot redone; it’s completely wrong. “The rule is,” she said. “Men up; women down,” defining that as photographing upwards for males and photographing down for females. My photo is shot downwards. She told me the photo was “killing” me; they’d all seen my headshot and “then suddenly this handsome man walks in,” the class from which she acquired concurrence.
Ack. I’d gotten the new headshot from a good friend who did it for free as she was building a portfolio so as to become professional headshot photographer. I’ll have to see if she’ll charge me. If she’s open to a reshoot, I can certainly take her to lunc for it [bg], but if she charges “headshot prices,” my photographer roommate certainly could do it [g]…

Currently three DVD units Strictly Background available…

August 15th, 2008

I just noticed not only is Strictly Background back in stock at amazon.com (only three units…!), but the item lists my co-starring in it [g]…!
Click on any of the links in this entry to see the listing!
(Buy two [or more] copies for free shipping [vbg]…!)